Lurker > tazzyboyishere

Halo 2 Multiplayer Map Pack

Theodore rules wtf

Everhood - Euthanasia Rollercoaster
https://www.youtube.com/watch?v=zrphErXWW80

Everhood - Tinnitus Dance
https://www.youtube.com/watch?v=KKVjRs8ztPU

Returnal - Hyperion Theme
https://www.youtube.com/watch?v=ZyvFei5Avu4

Shin Megami Tensei V - Battle -Demon King Castle I-
https://www.youtube.com/watch?v=cXgXHgnIFxc

Seek professional help

swordz9 posted...

Whats up with the Xenoblade 3 girl with the small bird wings on the back of her head? They look silly and theres no way those small things let her fly or anything. I dont think Ive ever seen anyone put wings on a characters head before.

https://gamefaqs.gamespot.com/a/user_image/6/8/8/AAPyH_AAC6NA.jpg

Mac Arrowny posted...

Mobile might make more sense for Before Your Eyes, since phones have cameras.

Yeah idk how the tech would translate but I imagine this would be a better route. Maybe we could even get it on the NINTENDO 3DS????

Tirtouga because turtles are the best

andylt posted...

You have me very intrigued in Before Your Eyes, I only heard about it recently when it was mentioned on a game of the year thing. But it's just PC, aw. Maybe it'll get ported to consoles soon.

I think the game could theoretically work on consoles, but it would require a camera attachment and potentially need to have significant work done to be viable in that state. The game's most prominent feature is that you control progression through blinking. It uses your computer's webcam to register this. I believe there's some sort of application used for tracking the blinks, and I'm not sure it would be feasible to translate that to consoles. You can play without the blinks of course, but I don't think the game would be anywhere near as engaging or thought-provoking without that mechanic.

andylt posted...

And I'll admit I kinda shrugged off Astalon when I first saw it mentioned, I love Metroidvanias but as you say it is a very saturated genre and we got so many new ones in 2021 alone. I had a very brief look at it but it didn't look like anything special to me, I'll definitely take another look now though.

Definitely try it out, especially if you can get it on sale. It's a blast! It is more akin to Castlevania than it is to Metroid, so take that for what you will.

andylt posted...

Haven't yet gotten around to 8age or Dread so I won't read those write-ups but cool list!

I don't think I spoiled anything, so feel free to read them if you want. Dread writeup goes more in-depth on my relationship to the series as opposed to any substantial discussion over the game itself, though I know people have varying degrees of spoiler sensitivity. I basically have none so I potentially actually have major spoilers in the write-ups. Oops.

I would guess Ultima IV, though it's more platonic

People find using walkthroughs humiliating?

Up

Malenia posted...

Village was great, what a shitty year 2021 was though all things considered

Someone didn't read the 'Returnal' write-up.

Snake5555555555 posted...

Nice to see Village #1, it was my second favorite game of last year, and excellent write-up even if I disagree with some points. I'm particularly torn about the level design aspect. On the one hand, I think the actual "Village" hub area level design is supreme and compelling, there's a ton of hidden nooks & crannies and exploring it all was one of the most rewarding aspects of the game.

I think the individual areas leave a lot to be desired though. They're too linear with little planning or thought involved in their exploration. Something that always compelled me about the older games was their puzzle box design; making you plan your route and hope no new or existing dangers impede your progress. Village recognizes this but fails to execute: any path looping in on each other is just a means to get back to where you need to go quicker. There's never any true compelling reason to go back somewhere. I get if you like action-horror better, this works to the game's favor, but for me it felt lame and diminished the horror. One thing I preferred in RE7 over Village was how tactile and immersive that game felt: everything was done realistically, pushing open doors, actually holding your flashlight, really crouching down in the nitty gritty and finding the most obscure hidden items, things to pick and examine and look at, feel like you're really in the world. I was surprised and disappointed Village pretty much did away with all of that.

Yeah, to be fair to RE7 I really wasn't able to engage it how it needed to be engaged. I just don't like the style of game it is. Meanwhile, Village cuts the stuff I don't like and plops in a bunch of shit I do like. I will say there is definitely a quality difference in exploration between the village itself and each individual branch, but I think the gameplay and thematic style shifts between everything so substantially and so fluidly that it doesn't hurt my opinion of any part as much. An entire game of village-like areas would have been fantastic, but probably wouldn't have been able to work with what some of the areas intended to accomplish. I'm sure the significantly cohesive experience of RE7 is preferable to many, especially with it's intent to accomplish horror at almost all times. But I love the changes Village made and wouldn't want them to have changed much, beyond maybe making the swamp more engaging.

I'll leave this up for a bit longer. Gonna dump it onto Medium so feel free to pop me a follow if you want to read everything again for no real reason.

Wow! What a list filled with twists and turns and other surprises. What was your favorite game from 2021? Until next year my fellow gamers. I must bid ado to this life as a listmaker for now, but I will only return stronger from this point forward.

1. Resident Evil Village

I was pretty interested in playing this game upon announcement. The horror advertised in Resident Evil 7: Biohazard isnt really my style, nor is the standard zombie horror the franchise is known for. It is obvious, then, that my favorite games in the franchise, Resident Evil 4 and Resident Evil 2 (2019), are more akin to third-person shooters with horror elements. Ive even lightened up on Resident Evil 3 (2020) even more than I already was last year. Capcom knows how to design great action-horror for their classic franchise, even if the more it deviates into one specific direction, the less quality the experience is as a whole.

I had never played Resident Evil 7: Biohazard until quite recently. I put it off because I was aware of how I would likely not enjoy it. I only played it due to the fact that Resident Evil Village was a direct sequel, something I didnt know about until Resident Evil Village asked me if I wanted a recap. Im sure its classification as a direct sequel was noted heavily in marketing, but I have ADHD so you are not allowed to be upset with me for my failures to parse even the most basic information. So I, of course, played Resident Evil 7: Biohazard. I did not like Resident Evil 7: Biohazard. It was gross, slow, clunky, and the horror was, as previously stated, not my cup of tea. The hillbilly-horror present is actually quite possibly my least favorite type of standardized horror theme. The classist undertones of codifying poverty as a type of horror is disgusting to me. Obviously shit like Resident Evil 5 is worse, but its still a gross method of inducing terror.

Naturally, I was skeptical of Resident Evil Village following this. I still had the knowledge of it being a more action-oriented experience than its predecessor, but my four hours with Resident Evil 7: Biohazard were probably my least favorite in the series. I dont want to suggest you are in some way wrong for liking Resident Evil 7: Biohazard, as Im directly stating this instead. It is, however, evident that I am looking for totally different experiences than those who praised Resident Evil 7: Biohazard. But then I played Resident Evil Village. Resident Evil Village is amazing.

Prior to its release, Resident Evil Village' heavily marketed the Lady Dimitrescu character. Horny people jumped on the boat immediately. These people are apparently the same people who reviewed the game at a professional level. So many critics praised the games first significant area while admonishing everything after it. These critics are morons. Not only is Castle Dimitrescu not the best segment of the game, but Lady Dimitrescu herself isnt even one of the more engaging characters the game presents. One of the coolest things Resident Evil 7: Biohazard did was introducing all of the antagonists in the beginning with a well-framed table scene, almost certainly inspired by 1974s The Texas Chainsaw Massacre. But the problem with this scene is that all of the characters were extremely loud and annoying. The villains introduced in Resident Evil Village, in an incredibly similar way, are far more unique and diverse. Even the lowly Moreau is able to make his mark both in this opening scene and in his eventual segment.

Ethan himself had the problem of being terribly boring in Resident Evil 7: Biohazard. I watched a longplay after quitting my own run and he never really became anything more than a mechanism to move through the game. He is immediately characterized far better from the very beginning of Resident Evil Village. He has fun interactions with the world and the characters you meet, and even has horrible one-liners upon killing stronger enemies. The game also introduces The Duke, who somehow managed to become the best merchant in the Resident Evil franchise. The Duke is probably my favorite character introduced in 2021, and its a damn shame he gets overshadowed because the Internet is too fucking horny.

Gameplay-wise, Resident Evil Village is probably the best the series has seen. Certainly, it was conflicting with the standard the series had set to this point, which was a wildly diverse range of gameplay mechanics. Resident Evil Village mashes the faster-paced action of the recent remakes with the more methodical approach and first-person perspective of Resident Evil 7: Biohazard. The result, while not appearing original to the naked eye, creates a gameplay experience unlike anything the series has seen. Weapon upgrading is back and better than ever. Every weapon has the ability to become stronger through a generous upgrading system. You can also hunt animals and collect their meat for cooking to receive permanent buffs to health, defense, speed, etc. There are so many systems at play here and each one of them bleeds into the other in a truly captivating manner.

Of course, none of these qualities would matter much in a game with bad level design. Fortunately, this is some of the best weve ever seen, and easily the best in the Resident Evil series. Its not a unique observation to see how each limb of the game represents its own sort of appeal. Castle Dimitrescu is focused on navigation and puzzle-solving. Beneviento House is focused on horror. The reservoir is more of a cinematic level. And it all wraps up with Heisenbergs areas and the bits after being action-oriented. What isnt a unique observation is how each area feels to have been masterfully crafted to achieve those specific goals. I talk a lot in here about the Internets stupid horniness as problematic to legitimate discussion of Resident Evil Village and how it transforms the medium with its approach to design, and I do so because its fucking embarrassing to see grown adults praise one really well-done section and then not care about the other 70% of the game which is also extremely well-done. You are an embarrassment. Yes, I will die on this hill and no, it will not be worth it.

Besides the Reservoir, which is fine in a vacuum but actually a pretty dull level in relation to what else the game offers, Resident Evil Village is dropping dimes constantly with its intriguing set pieces, map structure, combat evolution, and storytelling. Resident Evil Village is one of those magical experiences that happens upon the world and so affirmatively grips the core values of what playing a video game should feel like. Much like last years Doom Eternal and Hades, Resident Evil Village is a fucking masterclass of every component it aims to create. I dont regularly try to argue that some games are THE BEST EVER because, like, have you seen how much I talked about Tales of Symphonia in these write-ups? How much do I actually know? But Resident Evil Village is, quite honestly, the best horror game. It is the best action-horror game. It is the best Resident Evil game. Keep in mind, Resident Evil 4 has occupied my top 10 for about fifteen years now, so I dont say this lightly. We will probably never see another video game which aims to do as much, yet perfectly executes each part it presents as Resident Evil Village. Resident Evil Village is a blatant masterpiece, and the medium has a lot of catching up to do if we hope to see games of this caliber regularly.

Resident Evil Village Score: 6/6

2. Before Your Eyes

So, I dont know where to put Before Your Eyes on this list. I had initially slotted it into the number one slot, but it doesnt really feel fair to do that given how different Before Your Eyes feels in relation to literally every other game present on this list. I felt like I connected to Before Your Eyes in a way few pieces of art have been able to achieve. I do want to write about this game, but I dont really want those words to be expressed on something as materialistic and self-absorbed as a ranked list where I spend most of the time trolling people who have done nothing wrong. It doesnt feel right to rank this game anywhere on the list, to be honest. Before Your Eyes is its own beast, and its quality cant really be quantified with numbers. Perhaps when I do finally decide to write about 'Before Your Eyes', I will post it to the board separate from this topic. But for the first time in my life, I am at a loss of how to critique and summarily score a video game. So I guess it gets a 6/6 for that reason.

Before Your Eyes Score: 6/6

I am quite happy I was wrong about 'Metroid Dread'. Not only is it a fantastic game in its own right, but it feels like the natural progression the series should have gone in following 'Metroid: Zero Mission'. 'Metroid Dread' offers some of the best areas and encounters seen in the franchise, and it's much more focused on atmosphere, exploration, and puzzle-solving than the trailers let on. The combat experience was so stiff and unnatural in 'Metroid: Samus Returns', but they managed to refine it to an impressive sheen here. The strength of the combat reaches its peak in nearly every boss encounter. Each one is incredibly unique and requires some significant thought in their approach. I don't know if I'd say the game is as brutally hard as it's being marketed, given how naturally trial and error most of the fights are, but each of them asks you to use a significant amount of effort to topple. It culminates in one of the most exciting and rewarding final bosses in any video game, and easily topping any other battle in the 'Metroid' universe, which is known for having some incredible boss fights.

Exploration does take a slight hit because the world isn't designed quite as carefully as it could have been. 'Super Metroid' is essentially peak map design and I'd struggle to say anything has managed to capture this quality, barring potentially 'Hollow Knight', though that game's massive map leads to its own smaller issues. 'Metroid Dread' isn't as tight as the best maps in this subgenre, but it's pretty damn close. There are some instances of railroading the player which can get a bit egregious, and going for 100% completion is a bit of a pain given how late you get some crucial upgrades. But these problems are only worth noting because 'Metroid Dread' is in the same series as 'Super Metroid'. The map is a joy to explore all around and it showcases some of the most engaging environmental design in the 2D series.

The main claim to fame for 'Metroid Dread' was the inclusion of the brand new enemy type, the EMMI. As this was the forefront of Nintendo's marketing efforts, it is, naturally, the worst part of the game by a pretty wide margin. I get the appeal of them and I understand what the developers were intending to accomplish, but this feels very much like Mr. X in the 'Resident Evil 2' remake. It's initially really cool and adds a layer of fear to the experience, but that only lasts for about 15 minutes until it just becomes annoying. I liked the first few EMMIs I encountered, but it got dry well before it became challenging. The last couple you encounter become infuriating, as they completely derail the pacing of the game and force you to focus on moving through their chambers as efficiently as possible. It gives a fairly gratifying conclusion when you can respond by decimating the machines with an overpowered beam, but you spend far too much time running and hiding to make that part worthwhile. Remove the EMMI sections entirely or make them scripted like SA-X in 'Metroid Fusion' and we likely have the hard conversation of whether or not 'Super Metroid' actually has been dethroned as the best 2D 'Metroid'. As is, the segments are an unfortunate blight on an otherwise masterful creation.

'Metroid Dread' almost won this year's top honors for me. If it weren't for two of the best gaming experiences I've ever had, it would have been. If nothing else, I'm no longer fearful for where the series will be going. Despite my reservations from their first effort, Mercury Steam appears to have developed a solid grasp on how these games function. I hope we can see this partnership continue I to the future, as I know there are likely many other ideas the team didn't even get to see to fruition which would expand the series even further. As Retro works on 'Metroid Prime 4', I hope the team walks back on the intentions of 'Metroid Prime 3: Corruption' and looks at the series and the growth it actually needs to receive with the same mindset as Mercury Stwam. The only certainty, however, is that I finally feel safely excited for the franchise for the first time in over a decade.

Metroid Dread Score: 5/6

3. Metroid Dread

Its almost a shame we saw some all-time greats this year, as Metroid Dread is essentially an experience Ive been waiting for since I was a literal teenager. The last Metroid game I played and loved was either Metroid: Zero Mission or Metroid Prime 2: Echoes. Every official game released since then has ranged from disappointing to bad. I went into Metroid Dread with major concerns over how Mercury Steam would handle a brand new Metroid experience, especially given how poorly Metroid: Samus Returns attempted to reignite the series flame. But dammit, did they nail it with this one.

It should be noted before anything else that Metroid is one of my favorite video game franchises. I have been a 'Metroid' fan since I first became obsessed with 'Metroid Prime' and 'Metroid Prime 2: Echoes' in 2006. Ever since that time, I swore myself to the unholy union of fandom, possibly for the first time ever. I'm not sure which came first between my 'Metroid' obsession and my 'Naruto' obsession. I am only embarrassed by one of these obsessions, and it should be obvious which one that is (it is Naruto).

However, 'Metroid' has a long and storied history of making me sad. It All started with 'Metroid Prime 3: Corruption'. Many will claim 'Metroid: Other M' was where the series saw its complete loss of self, though the warning signs were present in the previous game. You could even trace flaws back to 'Metroid Fusion', but I will not do that because I like 'Metroid Fusion'. Around the mid-2000s, space stuff got super popular. Halo: Combat Evolved was an astronomical success which changed the landscape of gaming, in particular games where you shoot aliens. In 2007, we saw Halo 3 and Mass Effect, two space shooting video games which were receiving unreal levels of attention and hype. Nintendo had to find some way to revitalize their premier alien-shooting franchise after the lackluster sales of both Metroid Prime 2: Echoes and Metroid: Zero MIssion. The Nintendo Wii was a perfect chance to do this, as it sold out the wazoo and was extremely popular among casual gaming fans, a market codified as lovers of the XBOX. Metroid Prime 3: Corruption could have been another somber trek through an unforgiving environment filled with discovery, but they decided to not do this and instead craft a linear, story-focused adventure spanning multiple planets with a keener focus on action as opposed to the puzzle-solving and platforming the previous two games excelled in. I dont actually know if Metroid Prime 3: Corruption was a response to the bigger science fiction adventures coming out around the same time it did, but the end result was something distinctly lacking in edge or creativity, even if it was a solid game in its own right.

Of course, the story just worsens at this point. Metroid Prime 3: Corruption sold well, though nothing compared to the Wiis bigger successes. The series would see another entry in 2010, Metroid: Other M, which was a critical and commercial failure, as well as being a certified bad video game. Metroid went on an extreme hiatus, coming back in 2016 with Metroid Prime: Federation Force, a game which immediately became a meme when announced. It seemed clear, at this point, Metroid was no longer itself. The next year we saw Metroid: Samus Returns, a lackluster remake of an already flawed Metroid game released on a dying handheld, which further failed to grasp the core appeal of its predecessors or its contemporaries. Metroid Prime 4 was announced, but it was marked by extreme delays and a complete re-do with a different studio helming the product. Its likely still deep in the pipeline, and it still felt like even if it were to release soon, it wouldnt be able to live up to its namesake given this 10+-year period of disappointing releases.

Then Metroid Dread came out of nowhere and kicked ass. I went into Metroid Dread with potentially the lowest expectations a Metroid fan could possibly have. I had played Mercury Steams previous outing extensively, and I did not believe they were capable of creating a good Metroid game. The games trailers were focused on the INTENSE ACTION and GRIPPING PLOT with numerous CALLBACKS to earlier games. I saw all the warning signs. I could tell this game was going to be mediocre at best. So naturally, I pre-ordered it and played it on launch day so that I could complain about it on the Internet.

One thing I didn't really put in the write-up is that while the overarching narrative is written pretty poorly, the demon interactions are a ton of fun. I think those played a driving force in me seeking out many of the subquests and bonus content.

4. Shin Megami Tensei V

Its intriguing to think about what humanity may do if a demonic apocalypse were to occur. How, exactly, would each individual react? How would those with military and governing power react to such an unprecedented event? And, most importantly, what would teenagers do? In the Shin Megami Tensei franchise and all of its spin-offs which I am aware of, teenagers are the only thing which stands in the way of a mass human extinction. I not only interact with teenagers on a daily basis as part of my job, but I have the lived experience of being a teenager. I can say, with confidence, that teenagers would likely be as useful as our government leaders in the event of a demon invasion.

Shin Megami Tensei V released in an awkward position. The Shin Megami Tensei franchise has never been entirely successful in the West. However, the hit game Persona 5 absolutely thrashed the other games under the Shin Megami Tensei umbrella in both acclaim and sales. The amount of love we saw the game receive beyond the subset of massive nerds who lapped up Atlus premier franchise was unprecedented. No matter how silly it is, Persona 5 set a standard for any game wearing the Shin Megami Tensei or Persona moniker.

It would make sense to bring up the strange critique surrounding Shin Megami Tensei V. IGN reviewer, Leana Hafer, famously stated, [I]t sometimes feels like Persona without the heart. Now, dumb people were very upset and began to harass her. But large-brained people, such as myself, noted that this was kind of obvious. The Shin Megami Tensei franchise is one which has always prided itself on its atmosphere, combat, and thematic cohesion above all else. Shin Megami Tensei V is more of the same in that regard. If you want a game where you can engage the characters and story with nuance, you should probably pay the main branch of the franchise no mind. However, this is still a problem which necessitates exploration. Japanese RPGs are well-known for having far more involved stories compared to other genres, though that aspect has shifted with Western adventure games leaning more into their stories than ever before. The Persona games have been one of the few to retain such quality, and I think its reasonable to be hopeful and summarily disappointed by just how lame Shin Megami Tensei Vs writing is. All of the characters are one-dimensional, with the most intriguing of the cast being relegated to sidequests or brief story segments, and the plot is lazy at best. Its fair to say the game is like Persona without the heart, because the heart of the game is so far removed from what it values.

Obviously, despite the failure of Shin Megami Tensei V to do anything intriguing with its overall story, I still loved it. This is the most engaged Ive been in a battle system in quite a while. The way you can interact with it to deny turns to enemies is addicting fun. Its probably my favorite battle system in a turn-based game. The fusion mechanic is back and better than ever. The sheer amount of demons available to you led me to constantly swap which demons I would use. Rarely did I find one I felt I needed to keep using beyond three or four hours maximum. The strategies are ever-changing due to this and I loved every second I was a part of the combat.

But quite possibly the most impressive aspect of Shin Megami Tensei V is its world design. This may be a controversial take, as I havent seen much discussion on this part at all, but its the ribbon which wraps the package up and is also somehow the best part of the package. Moving through the various areas is less like an open-world, as is described by numerous critics, but more like large dungeons. They are ultimately quite linear and progression through them is exciting. There are also little secret red boys you can find by scavenging, as well as cool items and money. This all culminates in the fourth major area, which ditches the linearity in exchange for a level which is magnificently broad and open. The way the final world wraps into itself is phenomenal. It is peak level design and I was sad when I had finally explored every inch of it.

Shin Megami Tensei V is obviously not going to leave the same mark Persona 5 did. Its not the type of game to bring people out of their comfort zone. Its a game from an obscure genre which attempts to refine every note it takes, succeeding in spades. Fortunately, this appears to be the fastest-selling game in the main Shin Megami Tensei line, which is ideally a good sign for the future of the franchise in the West. Perhaps the series will continue having storytelling issues, but if that results in a continued effort to refine the other systems, that isnt such a bad concern to have.

Shin Megami Tensei V Score: 5/6

Used to love wearing the cloth masks, but my company changed it's policy to the surgical masks which stinks.

5. Astalon: Tears of the Earth

It seems we get a brand new metroidvania-type game each year. This is typically fortunate, as talented developers can take hold of an inherently satisfying gameplay loop. Astalon: Tears of the Earth is one of the best members of this ever-growing genre, though it unfortunately came out in a year where Nintendo decided to start making new Metroid games again. Fortunately, Astalon: Tears of the Earth errs further toward the Castlevania side of things, which we will never have to worry about seeing again, beyond pachinko machines, NFTs, and, somehow, one of the best animated franchises ever made. I have no doubt Astalon: Tears of the Earth would be well-enjoyed by a majority of people who would play it, but it is unfortunately being shafted by games like Metroid Dread, which is really good, and Ender Lilies: Quietus of the Knights, a game so boring that I have booted it five times and played for a total of forty-five minutes.

Astalon: Tears of the Earth is quite good. I dont really have much to say about it beyond this. If a game so adequately does its job that I can not even spend a page attempting to write vaguely-related dialogue about my experience with it, you know it has probably figured itself out. I played Astalon: Tears of the Earth intensively over the course of two days, and by the end, I did not want it to end. I then played the extra modes, which werent very good, and I realized I had only thought I didnt want it to end. Needless to say, the extras werent worth playing because the main campaign of Astalon: Tears of the Earth is so perfectly paced if you choose to shoot for the true ending.

The only legitimate flaw I feel has any weight is how Astalon: Tears of the Earth would have been better if it removed its roguelike elements. It feels like it was presented as a gameplay mechanic to match the story, but the game evolved in a way which made this feel pedantic. Youre constantly unlocking shortcuts both small and large, so its not as if being sent back to the start is particularly challenging. It just adds boring treks to disrupt the pacing of the otherwise fantastic level structure. You can also destroy the games difficulty scaling if you intend to fully upgrade your characters stats. The difficulty is probably at its best around the halfway point but when I was doing some clean-up on my final playthrough, I gained a massive advantage from dumping my points into stat upgrades. Playing naturally, you wont even come close to achieving fully maxed stats, but it still feels a little silly to make the maximum level so high when theres nothing to fight for beyond a higher difficulty with new game plus.

But those flaws barely function as complaints and are miles away from something deserving legitimate criticism. Do not sleep on Astalon: Tears of the Earth. This is one of the best indie games on the market this year, and itll likely be remembered, at least by me, as one of the best pieces of an otherwise oversaturated genre.

Astalon: Tears of the Earth Score: 5/6

Also, for the sake of legibility, how about the three people reading this provide their predictions for the top 5, that way we can start the final five on a second page. That'd be quite neat I think.

Wow, this sure has been a blast. I really enjoyed copying and pasting these paragraphs from my private Google Docs form to the public space of the GameFAQs Contests board of GameFAQs.com. Speaking of contests, I wonder if any 2021 games will appear in whatever the next site contest is hosted. If I could only nominate five games and was only limited to 2021 video games, my nominations would be:

Astalon: Tears of the Earth
Before Your Eyes
Metroid Dread
Resident Evil Village
Shin Megami Tensei V

I have an inkling at least two of these video games would be present in the aforementioned situation. Wow, what a good mix of video games. We only have three metroidvanias included, wow. And yes, I am including 'Resident Evil Village' as a metroidvania, and you can not stop me.

6. It Takes Two

It must be noted first and foremost that I played It Takes Two with fellow GameFAQs user Mac Arrowny. He and I have been playing Overwatch together for a few years, so the two of us were familiar with our own particular personalities and methods of engaging video games. I feel as though playing this game with someone whom Id had such a long a positive experience in gaming with was beneficial to my enjoyment of the game. I was initially going to try playing this with my partner, who does not play video games ever. Had the two of us followed through on this plan, I think I wouldve become single yet again.

It Takes Two is one of the most consistently engaging platformers ever made, partially due to its requirement of having two people working together for the entirety of its campaign, but also with how much variety it manages to jam into each section. The mechanics presented rarely stick past their particular level, and each one is stretched to a pretty strong extent. Some of them could likely be expanded on further to allow for more of a mastery, but this would probably become very annoying very quickly.

Lot of critics and fans alike had many problems with the games narrative. I can understand this somewhat, as the game says absolutely nothing about what a healthy relationship should look like, or how a legitimate divorce may actually function. At the same time, its also hilarious. The scene where you murder an elephant is some of the finest black humor, as you are violently dismembering a sentient being in order to make your daughter cry. Its fun how it makes you perform absolutely absurd acts to achieve something which is basically worthless. Though I admit, the narrative would be significantly more enjoyable if it had even a somewhat realistic interpretation of how relationships actually function.

More than anything else, I think the social experience of playing video games with friends are far more impactful than the games themselves. I am not a Twitch streamer, so it is none of your business who I play with or how I play something you absolute jackass.

It Takes Two Score: 5/6

7. Bowsers Fury

Bowser has been a part of the Super Mario franchise since its inception in 1985. He is a large, silly turtle man who wants to kidnap Princess Peach. His rationale for kidnapping Princess Peach is typically undefined beyond a general sensation of being evil and potentially having some form of ruling over the Mushroom Kingdom. This is never effective for the course of a full game, as Mario will always kill Bowser, usually by dumping him in actual lava. Yet Bowser somehow always revives. You literally fight his skeletal corpse in New Super Mario Bros. Bowser is truly the ultimate Eldritch horror. There needs to be a deep analysis on the lore of Bowser and his interaction with the world of the Super Mario franchise.

But Bowser has always been a goofy villain. He gets mad, but its never intimidating. However, this time is different. Bowser isnt coping with something in a healthy manner. Bowser is furious. In his inability to cope, likely with the trauma of being brutally murdered by Mario on numerous occasions, Bowser has become something terrifying. A blackened ooze coats his body, causing him to swell into a gargantuan titan, the excess sludge dripping and sticking to a once beautiful landscape, Bowsers emotional state is far more aggressive and primal, as he has regressed to the reptilian brain, seeking only survival and dominance as he scorches the earth with meteoric flames. It is up to Mario to atone for his past misdeeds, and save the man he once gleefully terrorized. Bowser Jr. is even here, and the trauma he is suffering from his fathers anger has now officially put Bowser in the Sad Dad Club. Bowsers Fury is high art, just as The Last of Us, The Walking Dead, and God of War. Two of those games are actually good, and The Last of Us is not one of them. Fortunately, Bowsers Fury is good.

Nintendo have been slowly making efforts to put every marketable Wii U title onto the Switch. Super Mario 3D world is in the top half of the series in terms of quality, but to increase its marketing appeal, Nintendo tacked on the short 3-hour campaign which utilized the mechanical simplicity of Super Mario 3D World with the large spaces of Super Mario Odyssey. The result is an open-world where each area function under the unique platforming challenges and gimmicks which the Super Mario franchise is known for. As a singular unit, it is non-stop fun with very few flaws.

Though those flaws do present themselves. Primarily, Bowsers Fury feels like a taste to something bigger. It doesnt feel incomplete per se, just evidently a project which could be better when expanded into a full game. When Bowser becomes furious during exploration or platforming, this can both add fun challenges and be incredibly annoying, depending on where youre at in the game. Its never detrimental to the high standards the game set, but there were exactly two occasions I remember where I had to stop progress in a level and do absolutely nothing, just to wait for Bowser to stop being a massive bitch. You can also turn into a giant cat and actually fight Bowser, but these sections blow. Sorry, Bowsers Fury, maybe you should think about some of these crucial negatives before we are introduced to Bowsers Fury 2:: Bowser Harder

Bowsers Fury Score: 5/6

8. Returnal

There are some people in this world who will tell you that 2021 was a bad year for gaming. These people are MORONS. As of the time of this writing, on January 11, 2022, Returnal ranks eighth on my list of games from the year 2021. This write-up will be concluded by giving Returnal a 5/6. I try to avoid over-rating games, so a 5/6 is a pretty impressive score to receive. Yet there are still, at this point, seven other games which were better than the absolute bop that is Returnal. 2021 was truly an outstanding year for the gaming medium.

Returnal is a roguelike with a large budget and impressive marketing. Roguelikes are usually bad because the nature of a roguelike is to make a video game as least fun as possible. Fortunately, people who actually design games to be fun thought it would be smart to make a roguelike which wasnt bad, and thus we got Hades in 2020. The folks at Housemarque likely got their hands on Hades and made the verbal comment, Wow, this genre can actually be good. They then proceeded to make Returnal, which is another good roguelike. There are now two good roguelikes and nothing more.

So what is it that makes Returnal such a wonderful experience? Well, lots of things actually. The first key aspect to the game is its fast-paced combat and gameplay loop. From the very beginning, Returnal is introducing you to mechanics which you likely wont be able to master on a single playthrough. Every combat encounter has a multitude of systems which can effectively change how one goes about playing through it. The way you move, the buffs and debuffs youve obtained, how enemies interact with each other, how your guns work, what buffs and debuffs are applied to your guns specifically, the actual design of the map both vertically and horizontally, how many traps are present, how much health you can sacrifice, the various mechanics at play when it comes to dashing and reloading and melee Yeah, its a bit overwhelming. Every second of Returnal asks you to assess a large number of factors before making your next decision. It is evidently a game which prides itself on having the player learn its systems before moving on, and the end result of this learning process is that you might be okay at playing the game.

That also drives into Returnals biggest flaw, which is the extraordinary difficulty. It is, by no means, the hardest video game I played. Its probably the hardest game released this year, but 2021 didnt even have a From Software game to which we could compare every other video game release to. I dont necessarily have a problem with difficult video games, and Returnal provides a pretty lenient fast-travel following the completion of any of its zones, so it was never an issue beyond the standard growing pains of any challenging title. Where it becomes a problem is how this affects the story.

I dont mean to sound like a pretentious asshole when I suggest this, but I think the narrative of Returnal is actually masterful in its implementation. It is psychological horror where the monsters have thematic purpose, which is the literal best type of horror. Returnal immediately begins the process of weaving an intense and thought-provoking story from the very first scene, and it culminates in something truly special. You rarely see games, especially ones with major publishers, take a risk with a more thematically driven story. Returnal has no intention of playing it safe with the writing and it is all the better for it. I think I would admire the risk alone if the story was dumb, but I cant really fathom how it ended up being as great as it was. You wont find a story with definitive answers, but you will find a story designed to be analyzed over the next decade.

But its also fucking hard. And when games are hard, you run the risk of people giving up, which I almost definitely did. Obviously, we are where were at now due to me sticking with it, but I only did so after about five hours of playing like shit and making no progress. This isnt fun. The games fun potential is so high, but the barrier to entry is almost too frustrating, and I see a lot of people who gave up on the game before it actually starts getting good. Yes, this game would have benefitted from difficulty options. No, you are not cool for thinking differently. Yes, you are dumb. The story of Returnal is one deserving of notoriety, and its a shame so much of the discussion has surrounded its poor difficulty scaling as opposed to its legitimate quality both mechanically and narratively. Also it is a PlayStation 5 exclusive even though it probably would have been fine on the PlayStation 4.

Returnal Score: 5/6

9. NEO: The World Ends with You

Perhaps the first example of the GameFAQs convincing me to buy a game was Tales of Symphonia. Second was probably The World Ends with You. The former is probably my favorite JRPG of all time, while the latter is quite a ways up there. I bring this up to note that this site has introduced me to some of my favorite video games and for that I am thankful. However, now that I am an adult, I no longer have a need for others to discover the greatest games on this earth. Similarly, my adulthood has allowed me the power to look at media from a far more cynical and depressing perspective. Have you actually tried to play Tales of Symphonia in the last ten years? Dont do it, its not actually very good, and it takes, like, 60 hours. I have not played The World Ends with You since 2007, and Im certain this has been a positive decision.

Despite this, I was nonetheless excited to see the series receive a sequel fourteen years after the fact in the form of NEO The World Ends with You. NEO The World Ends with You. The first thing I thought was, That name is kind of bad. My second thought was, I guess The World Ends with You is a pretty bad name in and of itself. My third and final initial thought was, Oh neat. NEO The World Ends with You should not be the type of game which will be announced and blow everyone away. Few games come out which feel so concisely complete as The World Ends with You. It is up there with Bloodborne as games which I would rather not receive a sequel due to how well they are able to present wrap up their thematic, narrative, and design potential. The World Ends with You was a NIntendo DS game which sought to push as many unique features of the hardware as possible, and the result was a pretty solid game which didnt really need to be expanded on. Regardless, NEO The World Ends with You was a fun sight, just as a Bloodborne 2 announcement would be, as I am nothing more than a pathetic consumer.

Just as I noted, however, The World Ends with You was a game designed specifically for the Nintendo DS. I never played 2018s The World Ends with You: Final Remix, as I knew the transition from the games unique two-screen and hardware-feature-heavy gameplay would be a poor one. Nobody liked The World Ends with You: Final Remix, so naturally Square-Enix decided this would be the best time to make a sequel. But how does a sequel to an already complete experience even operate? NEO The World Ends with You should not have existed, and it by all means should not have been as fun as it was. It doesnt play anything like its predecessor, though it retains the structure and pacing of the combat splendidly. You maintain control over your entire party as they only need to be controlled by a single button. This starts easy, then becomes a hectic balancing act as more party members and complex pins are introduced to you. It may be the most ADHD game of all time.

The narrative is another crucial piece to the game, since it felt like there were more cutscenes than gameplay. Its fine. Later on it begins to rely on callbacks a bit too much to its own detriment, but thats an analysis for someone who has played the original more recently than 2007 to make.

In 2020, I had been planning to take a trip to Tokyo with my recently-retired mother. My older sister lives there, and was, at the time, a freelance worker with no children who would have been able to give us lodging and assist with any sightseeing. Going to Japan has always been on my personal bucket list, and I would have just been finishing up graduate school. It was the perfect opportunity to take a month-long respite to another country. We had everything planned and set. Of course, you all know the story. COVID-19 killed a bunch of people and the United States did as little as possible, resulting in Japan banning flights from the United States. Donald Trump ruined my summer vacation. I am now employed full-time and my sister now has a son. The chance for another vacation like the one Donald Trump ruined will not return to me at any feasible point in my life. However, NEO The World Ends with You, more than anything else, is a game about being in Japan. For brief periods of time, I was able to glimpse what it would be like to be in Japan and spending all of my money on food and souvenirs. I did not get the actual experience, but NEO The World Ends with You wanted me to capture the slimmest satisfaction for my life. I think we should do ourselves a favor and convince Tetsuya Nomura to run for president of the United States.

NEO: The World Ends with You Score: 4/6

On that note, Ratchet & Clank: Rift Apart is probably the closest the series has come to reaching the level of charm present in the original trilogy. I was initially quite impressed by the writing given how low the bar was set by the attempted reboot, which constantly threw memes in your face while failing to establish any of its characters as unique. I think Ratchet & Clank: Rift Apart is far more competently written than weve seen in a while. The concept of an alternate universe in which you are playing as a rebel as opposed to a defined hero was a neat way to shake up the atmosphere a bit. It may not be as engaging as the naturalistic storytelling present in the original Ratchet & Clank, but there isnt really anything better Ratchet & Clank: Rift Apart could have done with their two-decade-old continuous storyline. And its actually funny again! Its not the most exciting humor weve seen, but the series has been desperate to build a narrative focus to the point of being completely dry almost all of the time. Dr. Nefarious is a ridiculous villain and the decision to continue utilizing him as a threatening force beyond his initial appearance was a mistake. Ratchet & Clank: Rift Apart deals with this in the most perfect of ways by juxtaposing him with an alternative version of himself which holds the same level of narcissism while being far more competent and dangerous. Their dialogue together makes for some of the best in the game and I really wish they had a bit more presence together to explore their characters to a greater degree.

I cant really say the same for Rivet or Kit, who are some of the most dull characters imaginable. They go through character arcs similar to their counterparts, though what made the original relationship between Ratchet and Clank so special was how well they bounced off of each other. Rivet spends most of the game with Clank and Kit with Ratchet. These are already well-defined characters, so seeing the new ones simply going through the motions is uninspiring at the best of times and corny as hell at the worst. When the two eventually do come together, it feels far more out of plot necessity than anything else. Theres what feels to be a last-ditch effort to connect the two in an event which occurred prior to the games story, but it only serves to create an extra layer of unexplored drama before the game concludes.

Maybe I shouldnt be focusing so much on the writing, but thats just the nature of the franchise. The gameplay is always going to be competent, and this game is no exception. Its probably the best gameplay in the franchise so far, though I still miss the platforming a lot. Ratchet is fun to move around, so it would be far more interesting to experiment with movement as opposed to combat, but the guns essentially are what the series is, and always will be, known for, even if they all operate in extremely similar ways. Theres rarely any strategy to use beyond swapping your weapon once youve run out of ammunition, but Id be lying if I said it wasnt a ton of fun cycling through and upgrading every weapon to their highest level.

If youve never played a Ratchet & Clank game, it wouldnt be too bad to start here. Its issues are the least-defined since 2004, and even then, this is the best gameplay in the series. But starting with this should be done under the knowledge that this franchise had far more potential to evolve and adamantly chose not to do. This isnt necessarily a problematic issue so much as it is a disappointing realization. Not every game needs to seek to revolutionize the industry, and that will be clear the further into my list you get. But I think its reasonable to expect a series to have at least some desire to separate itself from past flaws. I said in my Pokemon Brilliant Diamond write-up that the franchise will likely be stagnant for the foreseeable future, as thats just the way The Pokemon Company has decided to go about what has now become a relatively small piece of an otherwise massive puzzle. Insomniac doesn't have that same excuse available to them, so its a lot harder for me to rationalize a lack of depth. Regardless of how you feel about Ratchet & Clank: Rift Apart, I hope you can appreciate that I spent a majority of my write-up on a game I defined as a must-play no less, bitching about how much I hate it. Such is the life of a gamer.

Ratchet & Clank: Rift Apart Score: 4/6

10. Ratchet & Clank: Rift Apart

For absolutely no reason, 2021 was host to a number of franchise comebacks. Previously, we saw Psychonauts 2 on this list, which was the first full-length experience the franchise had seen since 2005. Yet to be seen on this list are NEO: The World Ends With You, the first entry into the franchise since its inception in 2007, and Metroid Dread, the first original, non-spin-off Metroid game since 2010, and the first official main-line game since 2004. At the time of this writing, I have not played No More Heroes III, but it is also the return of a franchise which hasnt seen a mainline entry since 2010. Similar to all of these is the Ratchet & Clank franchise, which, barring a failed reboot/movie tie-in, hadnt seen the light of day since 2013. This isnt quite as long of a gap as the aforementioned titles, but it is still quite significant in the current era of annual releases or sequels being announced immediately following a release. Whether or not these games are actually any good is beside the point. I was craving the consumption of franchises from my miserable adolescence and I was rewarded.

While they will ultimately receive the same scoring. I feel like there is a pretty noteworthy gap between Pokemon Brilliant Diamond and Ratchet & Clank: Rift Apart. You could say Ratchet & Clank: Rift Apart is the first truly great game to be introduced in the list, and that we have now encroached upon the must-play territory. However, you will need to have a Sony PlayStation 5 in order to play Ratchet & Clank: Rift Apart, so I am sorry for imposing this upon you. If you do not have a Sony PlayStation 5, please stop reading and do not come back until you have acquired one. Until then, you are not a strong enough gamer to be reading my words, and I am offended you would attempt to join my company.

If you were to ever meet me in real life, you would soon discover that I am a fucking nerd. This personal feature has been present throughout most of my life, though it reached its throughline between the ages of twelve and fifteen. This period of my life was marked with such intense gaming that I became the god gamer you witness today. I can attribute the whole of my gaming landscape to a mere five core titles which I will now list: Dark Cloud, Jak II, Super Smash Bros. Melee, Tales of Symphonia, and Ratchet & Clank: Up Your Arsenal. All of these video games, regardless of where I align their quality now, were transformative to how I viewed games, and I consider them to be some of the most important games for my own personal growth as both a gamer and, unfortunately, a mortal.

To say Ratchet & Clank: Rift Apart had some big shoes to fill would be putting it lightly, especially given the disgusting wretch some people refer to as 2016s Ratchet & Clank, a video game I hate more and more any time I think about it for more than three full seconds. Ratchet & Clank hasnt really been the franchise it started out as for a long time, and efforts to create a game as fresh and memorable as that original trilogy on the PlayStation 2 have been lukewarm at best. Sure, the games end up being great fun to play, and its likely a lot of my nostalgia talking, but the transition from a platformer with third-person shooter elements to a third-person shooter with platforming elements has not been kind to the identity of the series. This issue reached its climax with the last mainline entry, Ratchet & Clank: Into the Nexus, a game so marred by a lack of ideas that they couldnt even stretch it out beyond a brief 6-hour campaign at best. The gameplay loop of this franchise is fortunately satisfying, so its not as if the franchise has become unenjoyable, but theres little to separate these games from one another at this point.

Arcanine is also such a good boy

KommunistKoala posted...

where would Yu-Gi-Oh Master Duel have placed if it came out 20 days earlier

#1 obviously. I have not watched a single episode of Yu-Gi-Oh nor have I ever played a single game of Yu-Gi-Oh.

Wow! What a shocking turn of events! I wonder if anyone is surprised and/or pissed off about their predictions. What at TOP 10!

Astalon: Tears of the Earth
Before Your Eyes
Bowser's Fury
It Takes Two
Metroid Dread
NEO: The World Ends with You
Ratchet & Clank: Rift Apart
Resident Evil Village
Returnal
Shin Megami Tensei V

I wonder what the GAME OF THE YEAR will be and if it will be Metroid Dread.

11. Pokmon Brilliant Diamond

Ever since I was a small, dumb child, I have been enamoured with the Pokmon franchise. Not just the main line of video games, but also the Japanese animated television series based on the Pokmon video game franchise. Around the time I was going to college for literally advertising, I began to obsessively consume Pokmon products, such as numerous seasons of the animated series, the first thirty or so volumes of the Pokmon Adventures manga. fully completing the at-the-time brand new Pokmon Y within about two weeks, which I also went to my first and only midnight release to collect, and completing various quizzes on the website Sporcle.com to eventually remember the names of every Pokmon created to that date, as well as their assigned number. This level of interaction with the franchise was, ultimately, quite minor in comparison to what all was available to me. But the amount of Pokmon content I have consumed over the course of my whole life is troubling at best, and lethal at worst.

But there was a period in my life where I was a teenager, and therefore completely fake and also an assbag. This was the period of my life which saw mainline releases for Pokmon Diamond, Pokmon Pearl, Pokmon Platinum, Pokmon HeartGold, and Pokmon SoulSilver. I did not play any of these games on their initial release, only going back to them during that phase I went through as a moody college student, and playing both Pokmon Platinum and Pokmon SoulSilver to story completion exactly one time and never again. Pokmon SoulSilver happened to be a remake of Pokmon Silver, which was a game I engaged with for hundreds of hours, but Pokmon Platinum was a brand new experience which I had not engaged with at all, and continued to keep unengaged from after a comparatively short 20 hour playthrough.

I bring this up solely to note that I went into the recent remake of Pokmon Diamond having engaged this section of the Pokmon franchise less than any other limb of the grotesque amalgamation the mainline franchise has become. An equally important note to make is that it has been about eight years or more since I actually experienced the fourth generation of Pokmon games. Pokmon Brilliant Diamond had every opportunity to capture me with the magic of a new-ish Pokmon experience in the easiest possible way, especially given how upset I was from having played Pokmon Sword.

Did it succeed? No, not really. But its still pretty fun! The biggest gripe I have with the game is the decision to create a superdeformed aesthetic for the overworld, then proceeding to use full character models in battle. The overworld character design is quite off putting, and the decision to still use full character models within battle scenes has me struggling to understand why this was the direction taken. My cynical side will blame it on and approach to cut costs, since the simplistic design makes it look no better than something youd see on the Nintendo 3DS, but Pokmon Sword used full-scale character models in the overworld, and that game also looked like it was made for the Nintendo 3DS.

Ever since the Pokmon games moved away from sprite work, theres been a strong need for designs of both human characters and the Pokmon themselves to stand out creatively. As much as I hate Pokmon Sword, Id be more of a fool than I already am if I tried to argue it wasnt aesthetically one of the best games in the franchise. The designs for Pokmon Brilliant Diamond were initially done using sprites, so perhaps it felt more visually consistent to use the superdeformed style? Either way, it is a significant downgrade from the overall look of the Sinnoh games. I normally dont pick at something like this with any sort of actual critical eye, but the Pokmon franchise is pretty well-known for its visual appeal, and a lot of that appeal is removed when the older games are adapted to the new current style present in the series.

One thing which hasn't changed, fortunately, is the addictive gameplay loop of capturing new Pokmon, training them to evolve, and proceeding through a fast-paced story thats as long as you want it to be. I sunk about sixty hours into my time with Pokmon Brilliant Diamond and by the time I finished that seemed like my own personal cutoff for enjoyment. The game could easily be beaten within 15 hours, especially given the new experience share system which completely negates any needed grinding. It even maintains the late-game difficulty assuming you don't go into the final battles overleveled. Cynthia is still the hardest champion the series has seen, and even though she can still be beaten by abusing items or having an above surface-level understanding of the games mechanics, she can still surprise you with the unique team she has built up. The only time I ever really die in these games anymore is due to me farming levels for weak Pokmon to evolve them. Having my primary team of six wiped out was an oddly satisfying experience to see, even if it was really only due to my lack of planning and some horrible luck with critical hit rates.

Sonically, the original soundtrack for these games is arguably the most acclaimed in the franchise. This is despite the fact that the sound on a Nintendo DS is actively nauseating to listen to. Its not even as charmingly terrible as Gameboy Advance music, where the garbled mesh of noise can actually feel endearing in some way. The DS cleaned things up a bit, but not to the point where anything from that system sounds ideal. The new compositions present here are massive improvements, despite what nerds who like the original will tell you. This is, hands down, the best soundtrack the series has ever had, and theres not really even a close contender.

Pokmon Brilliant Diamond is obviously not perfect. They keep some of the more archaic design choices present in the 2007 releases, and do practically nothing to the experience to make it worth playing over Pokmon Platinum or most other generations released after the originals. But this is my list, and it felt fun to actually engage this generation of games honestly, even if all they gave me to do it with was developed with fairly low effort into differentiating it from its origin. This writeup isnt filled with bad jokes because I wanted to focus on giving it a fair critique because I dont think its really been receiving such from the fanbase. Its easy to write this off as a cash grab, and yeah, youre probably right with that, but were also talking about the largest media franchise in the world. Everything made is going to be a cash grab. Pokmon Brilliant Diamond is a small piece of a megalithic structure, and resources will always be allocated accordingly. At the end of the day, despite the ease of which many upgrades could have been implemented into it, Pokmon Brilliant Diamond is standardized Pokmon fare. If you like the gameplay present in these games, its going to be a fun ride from here on out. As is, the series doesnt need to innovate to achieve its goals, and you can make the choice of whether or not youre willing to engage that type of franchise.

Pokmon Brilliant Diamond Score: 4/6

12. Deltarune: Chapter 2

This game is not finished and is therefore not going to receive an actual write-up. I am just including it on my list because it is better than Everhood and I guess all these other games too.

Deltarune: Chapter 2 Score: 4/6

13. Deathloop

If any game released this year were to receive the award for what critics will ultimately deem as the most important title ever made, then summarily proceed to forget it existed the following year, it would be Deathloop. Thats no slight on The Last of Us Part II, Sekiro: Shadows Die Twice, or Red Dead Redemption 2 because I have not played those games for more than one hour combined, but I dont ever think about any of these games and have not since the year of their release, and my word is law. The only difference between Deathloop and the rest of the previously mentioned video games is that I played Deathloop. Of course, having played Deathloop to completion, I can answer the question Im sure all of you were wondering. I can, for a fact, say yes, Deathloop is better than 2013s The Last of Us.

So what exactly is it about Deathloop that made it so critically acclaimed anyway? There seemed to be a bit of dissonance between critics and the average gamer. The former group lapped this shit up harder than they lapped up this years actual best game at the time of my writing, [REDACTED]. The reception among the audience was far more mixed, though still steeped in general positivity. Deathloop is ultimately a game with flashy combat, excellent worldbuilding and snappy dialogue featuring two of the best vocal performances of the year in renditions from Jason Kelley and Ozioma Akagha. Theres even this awkward sexual tension between them which is extremely weird once you make it to the last 25% of the game. Critics fucking love awkward sexual tension, especially when it becomes weird.

All of that aside, Deathloop is, above all else, a game which lives and dies by its time loop mechanic, asking the players to put a puzzle together to figure out the best way to murder eight different people in a single day. If you fail to complete this, everything resets except for the memories you and Julianna have of that day, as well as any equipment you science into your inventory. The elements present feel more like a roguelike than anything, a genre typically reserved for indie titles. Deathloop has significantly less depth and diversity than the only good roguelike, Hades, but it still manages to craft a bit of its own identity. The biggest problem in Deathloop is the poor enemy diversity and the incredibly boring requirement of stealth before you get a solid loadout.

Nexus is a really cool ability that can be crafted to easily become one of the most overpowered abilities in gaming. I made it to where Nexus latches on to anyone within a small area, as well as an upgrade which gave me health any time I murdered someone under Nexus control. This turned me into an invincible chad with a large, immaculate thirst for blood which could not be quenched. All the clever touches to the games design and level structure were rendered pointless to me never engaging the more clever methods of murdering, as it was far more fun to begin slaughtering waves of enemies. It gets especially absurd in the final mission where you infiltrate the party. I killed well over a hundred people on numerous occasions during these segments. It was neat.

The final story segment is pretty neat but leaves a lot more questions out on the table than answers. This is fine because you dont need art to explain everything to you. Sometimes its fun to speculate, and Deathloop is exactly the type of game people will make theory videos on YouTube about. At the end of the day, this is the greatest gift of all.

Deathloop Score: 4/6

Growlithe is such a good boy

14. Blue Fire

If I were a man who cared about the actual objective quality of a video game, I would work for IGN. Fortunately I do not work for IGN and can talk about Blue Fire without mentioning the numerous visual glitches, wild design oversights, easy-to-manipulate bugs, and the general lack of creativity in any of the games ideas. Blue Fire is a bad video game for all of these reasons, but is also a great video game for the exact same reasons (By the way, yes, I am aware IGN gave this game a good score, better than the one Im giving it. That does not make it okay for you to tell me I am a bad person you actual jerk).

'Blue Fire is basically just a The Legend of Zelda title with platforming and glitches. A majority of Blue Fire is spent roaming around its various areas and collecting things as you go through. It has some neat set pieces and the washed out aesthetic combined with its low-key score make it a pretty solid experience. What truly elevates Blue Fire to another level is the extent of its platforming, and the ability for a player to completely crack the game apart when utilizing what may or may not be severe oversights in the structure of the game.

Blue Fire has some incredibly floaty platforming, with movement options that allow you to reach places which I am sure a player is not intended to be. Because of this, there are a variety of ways you can go about playing the game which may actually be more fun than the intended route. Most of the games many platforming challenges can be completely redone if you have a new upgrade or if you figure out how to work around its obstacles. I think thats pretty cool.

I dont really have anything else to say about Blue Fire. I think we sometimes have a tendency to forget just how difficult it is for indie developers to create video games, especially given the polished experiences of games like Hades or the Ori franchise. In reality, most games do feel a bit amateurish if you go out of your way to play them, but when those games end up being fun, they are truly worth experiencing.

Blue Fire Score: 4/6

15. Psychonauts 2

Back in 2005, I recall seeing commercials for the original Psychonauts during the ad breaks on G4TV when I was literally watching X-Play unironically. I wrote that sentence and then prepared to do some digging on what X-Play said about Psychonauts and discovered that they literally brought X-Play back a month prior to my writing of this sentence. I will begin watching new videos from X-Play as of now on December 28th, 2021, and will post my initial thoughts on its return in a paragraph following this one. But before that, I should note I was quite enamored with the concept of a psychic summer camp where most of the levels centered around the madness present within the minds of various persons. I was the only person who thought this was cool, however, because nobody bought it and the franchise went on a 12-year hiatus.

So Im putting this in italics just so you know it is completely removed from the overall writeup. I was going to try and splice it in with my Psychonauts 2 write-up in a more organic fashion, but I couldnt really find a method of doing so that didnt blatantly ruin the structure and pacing of the write-up. Just to break character a bit, you are more than welcome to skip this part, since it is really just something I had moderate interest in and wanted to explain here, as I had already written that phrase and didnt want to go back on that promise, even though nobody would have read it beyond myself. This is more of an actual look into how I analyze media, I suppose, so take that for what you will. If you just want to see me talk about Psychonauts 2 without breaking away from the awkward tormented writer character I create for these analyses, then just skip the italicized paragraphs.

To note I did go and watch some Xplay content, however, its actually been airing for about a year now, it just seems G4TVs official return was in November. The new Xplay is neat as a concept but it does not appear to be as concise in its writing nor does it retain the skit structure present in earlier episodes. The only thing the new Xplay really appears to have in distinct similarity is Adam Sessler who feels more genuine in this iteration, though he has essentially lost the identity of his character as seen in the original series. Its not really surprising given the dated writing style of the original Xplay run, especially in the current landscape of the Internet where video game criticism has evolved past the standard method seen in commercial criticism. Adam Sessler is still a pretty fun guy though, and he has some popular, though in my opinion mid-tier, Youtubers assisting him with their own styles of criticism. It should be noted that this is solely my thoughts on a few of the videos posted to the YouTube channel, and its possible whatever G4TV has running on its programming is more similar to the old Xplay. Its worth looking into for nostalgia purposes, but if you have no idea what the words G4TV, Xplay, or Adam Sessler mean, then you will find far better gaming content on the YouTube platform, likely without the need to try.

Much like any video game sequel which sees itself coming to the forefront after a significant amount of time following its predecessor, Psychonauts 2 was put into a relatively difficult situation. The marketing of Psychonauts 2, from its initial inception as a crowdfunding project in 2015, was unable to be divorced from the looming shadow of Psychonauts. This wasnt just a sequel set in the same universe, this was a story which could not exist without the efforts of Psychonauts which would directly follow the events which occurred in that game. Psychonauts 2 couldnt simply be a good game, it had to live up to the exceptionally high expectations of a fanbase which had already placed the Psychonauts brand on an exceptionally high pedestal. Much worse is that it needed to do all of this while being similar enough for comfort to a severely dated game from the year 2005. By all accounts, Psychonauts 2 should have sucked ass.

But at this point we know the story. Psychonauts 2 received near-universal acclaim from both critics and fans. It garnered a lot of positive discussion concerning its themes and creative design, and even got nominated for Game of the Year at The Game Awards which is the worst awards show ever made, but apparently has enough clout to be noteworthy for some reason. I researched sales data for a solid two minutes and found no evidence of it underperforming despite concrete figures not being available in that lengthy research process. So I have no reason to believe it wasnt also successful, given Psychonauts has seen a bit of an uptick in sales following its introduction to digital distribution.

But you arent reading this to discover whether or not Psychonauts 2 was successful, or whether the majority of its player base found it to be a strong follow-up to the original. You are here to see what I, a singular man, has to say about Psychonauts 2, and whether or not you, as a human being or artificial intelligence, deserve to play it. It is with great regret that I state to you here and now, Psychonauts 2 is a solid game. I truly wish I could complain at great length as to how this game isnt as good as Psychonauts, and believe me, I could analyze the ever-loving shit out of them and bring myself to such a result, but doing so would be doing the exact same thing I have been speaking out against doing throughout every single write-up.

Judging Psychonauts 2 based solely on how it relates to Psychonauts would be a dangerous method of criticism, given how absurd it is to hold a brand new video game presented to my cynical adult brain in relation to a brand new video game I experienced as a disillusioned preteen. I absolutely refuse to dwell in my past experiences, positive or negative, as doing so would cause my mental health to shatter, and I would transform into something far more powerful than you could ever comprehend. Just as I do, so does Psychonauts 2. Psychonauts 2 will relish in its past self through aesthetics and dialogue to a severe, sometimes exhausting extent. It also retains key parts of gaming from the mid-2000s era, such as long load screens, cringey dialogue, and NPCs that will not shut up if you dont do the exact thing the game wants you to do at the exact moment.

But at the end of the day, Psychonauts 2 is its own flawed experience.It has solid movement and platforming, though many of its ideas receive little to no expansion past some of their most basic uses. Combat is a completely awkward mess that is never fun to experience at any point, I cant tell whether or not the game is being written for literal children or if the jokes really are that bad. Yet all of these things remind me of Psychonauts, and I like Psychonauts. I am definitely contradicting my prior statement. Dwelling in the past is awesome, especially when dwelling on positive experiences. Wow, this is some rapid character development. Its just like in Psychonauts 2 where you cure a mans alcoholism by completing platforming challenges.

Psychonauts 2 Score: 4/6

16. Boomerang X

Movement-based shooting is a subgenre of first-person shooters I have been constantly telling myself I would eventually go down the rabbit hole of while proceeding to only slightly dip my toes into its abyss. Last years Doom Eternal and 2016s Doom gave me a strong indication that I really enjoy shooting things while moving. In fact, the less you move while shooting things, the less fun actually shooting things is. As a certified American citizen living within the center of the rust belt, aka literally Indiana, I am required to love destroying things with guns, just as my country destroyed my lifestyle with money. However, I have never fired a true, physical gun before, not because I have any issue with responsible use of a gun, but because guns are very loud and annoying in real life. Virtual guns are loud but sound quite cool. Perhaps my inability to destroy animals or bottles or human beings or whatever else the typical angry white male tends to use a gun for means I do not belong where I currently am. Perhaps I should move to a place like Connecticut to do my virtual gunslinging. Until that point, I will continue to partake in playing extremely violent video games where I destroy various beings, sometimes for no true purpose. As I do this, I will continue to pretend that living in Indiana is not a complete waste of my time.

Boomerang X is a first-person shooter, mechanically speaking, though not aesthetically. You use a bladed boomerang to destroy things in Boomerang X. The boomerang is probably the lamest ranged weapon of all time, yet adding blades to it makes it very cool. You throw your boomerang at black sludge enemies and that is the entire video game. But the way you throw and catch your bladed boomerang is what creates the depth of Boomerang X. If you want to stand still and simply throw your bladed boomerang to destroy a sludge monster, then catch it so that you can throw it again, you are absolutely allowed to do this. However, you will be fucking lame if you do.One of the core mechanics of Boomerang X is the ability to launch yourself toward wherever you threw your bladed boomerang. Using this ability allows you to juggle your body in the air as if you were a majestic falcon or eagle or bat. The more things you murder with your bladed boomerang, the stronger you become, as new abilities for murdering are presented to you based on how good you are at killing.

Boomerang X is not the most polished game. It takes about two hours to beat, and less if you arent bad at it. In that two hours you are presented a handful of arenas where the goal is to murder some amount of specific sludge monsters. Most of these arenas are pretty simple ways for you to practice your flight, until the final two levels which hate you. I spent about half of my playthrough in the final two sections, one of which is the final boss, which adds the unseen, to this point, challenge of taking damage from the walls of a relatively tiny arena. Because of how constricted the campaign of Boomerang X feels, and how little is done outside of direct combat, it feels more like a tech demo for a much larger project. I am imagining an adventure with the scope of a Doom reboot or a Half-Life using the mechanical concepts put forth in Boomerang X and this brain is picturing something glorious. As a demo, Boomerang X is a phenomenal showcase. As a video game I paid money for, Boomerang X is solid but messy.

Boomerang X Score: 4/6

Elite Matt Stafford

17. Chicory: A Colorful Tale

When I played Wandersong, it was essentially the best possible time to experience something with such a high concentration of optimism. I awarded it my prestigious Game of the Year for 2018 award, and while I certainly doubt this game holds up to the high standard I put it at three years ago, and while it certainly has its own supreme issues in game design, that initial experience was so transformative. I remember finishing the game and feeling as if I was in a haze, still feeling miserable about my life situation at that time, yet for the first time I felt able to reconcile that depression and anxiety. To process it and tell myself things were going to be okay. I still struggle with severe anxiety, but Ive been able to manage it quite sufficiently, and I think playing Wandersong at the right time in my life was a significant help for me.

The director of Wandersong would go on to work on his next project, Chicory: A Colorful Tale, which was released in 2021 and is now being featured on my list of video games from that very year. Normally, I would see a game like Chicory: A Colorful Tale and say, Wow, that looks kind of neat, but I do not want to put forth any money to play it, and I am truly sorry to the developers working on this project. I say this, verbatim, nearly every time I see an indie game trailer, regardless of whether or not I am alone. I need to be able to verbalize my full intent in hopes that this will one day lead to sweeping changes where all video games are always legally available for free, and the creators of said video games are compensated appropriately, while large publishers slowly die off and rot away.

The difference between Chicory: A Colorful Tale and other indie projects is that its director also made Wandersong. The difference between Wandersong and other indie projects is that I found out Wandersong had a dedicated dance button, and I thought this was the best thing ever. Fortnite may have popularized this shit, but Wandersong made dancing available when moving, standing still, mid-cutscene, and mid-dialogue. This was truly gamings greatest innovation. Chicory: A Colorful Tale does not have a dedicated dance button, so, in retrospect, Im not sure what I saw in it

What Chicory: A Colorful Tale does have is a sentimental story, a single unique mechanic which is stretched to pretty extreme capabilities, and charming dialogue, all of which were present in Wandersong. I would never make the suggestion that Chicory: A Colorful Tale is attempting to ape Wandersong with its design, as they are quite different from one another, but it is important to note how Chicory: A Colorful Tale failed to capture me in the same way. Chicory: A Colorful Tale is a wonderful game, both in its gameplay loop and narrative design, but I did not need it in the same way I needed Wandersong a few years prior.

Chicory: A Colorful Tale Score: 4/6

lol

18. NieR Replicant ver. 1.22474487139

In 2019, I wrote an essay concerning the video game NieR: Automata and addressed a preoccupation I had been afflicted with, alt-right Internet communities, and how I ended up viewing that game and those communities in different lights when comparing the emotional reactions I achieve through both. When I finished writing it, I had the first feeling of actual pride and accomplishment ever achieved through my writing. I felt like I wrote something that mattered to me, and to the world in general. I cannot re-read it because of various syntax issues, some small grammatical errors that nobody else will notice, and some unnecessary ramblings of a trip to Jamaica which I found, at the time, to be something of a reawakening for myself. I do wish I could ignore the common flaws of my writing, which will ultimately be forever present, and likely are already presented through these write-ups, but for a brief moment in history, I felt quite satisfied with something I made. I felt the same way when finishing the final sentence and presenting my perfect score to Doom Eternal in last years list, and I hope to feel the same way when I write the last sentence for the currently unnamed video game which reaches the highest position of this years list. That game is not going to be NieR Replicant ver. 1.22474487139.

I brought up the article I published on NieR: Automata for a very specific reason, that being the nuance of the story being told within that game. I played NieR' back around its initial release in 2010 for the PlayStation 3. NieR felt like an extraordinary experience primarily due to the strange world atmosphere, ethereal yet climactic score, and its absurdly dark storytelling. The gameplay was about as enjoyable as going into work on a Monday, finding out the office was closed, then getting stuck in traffic for the entirety of a standard 8-hour work day, but the prior strengths were always there to reel me back into it. I had never experienced anything like NieR at that point, and I dont think I ever truly have experienced anything like it since. Even NieR: Automata fails, on some levels, to match many qualities present in NieR. Unfortunately, NieRs greatest flaw is its experience. The narrative is ambitious and hypnotic in its theme and identity, yet that ambition results in a messy method of storytelling. You have to play and beat the game once, then replay the second half of the game three more times while meandering through a number of dull side missions and collecting sometimes meaningless gear for the sole purpose of gaining a true understanding of the narrative, and to reach any sort of finality to said narrative. It is an exercise in tedium to finish NieR, and by the time you reach its final message, the various storytelling methods designed to elicit feelings of despair, guilt, melancholy, grief, and any other shitty emotion, have become dry, given that you will have seen and participated in the games events four times to reach a conclusion.

NieR Replicant ver. 1.22474487139 does nothing to remedy this issue, and I did not finish my third playthrough before shelving it this time. I am an old man at this point and my ADHD has somehow become even more severe in the years following high school and university and graduate school. I do not have the time or energy to put into events designed to make me depressed for the seventh and eighth times in my life. I already did that when I used Tinder. On top of this, the gameplay still feels about as enjoyable as going into work on a Monday, finding out the office was closed, then getting stuck in traffic for the entirety of a standard 8-hour work day. If the original NieR had combat which felt like it was made in 2001, NieR Replicant ver. 1.22474487139 has combat that feels like it was made in 2005. This is all despite the way NieR: Automata progressed the franchise in both story structure and combat design four years ago.

It should also be noted that I felt the amount of dread present in NieR Replicant ver. 1.22474487139 is a bit too overbearing for me to deal with at this point in my life. I have gone through the strokes of depression, as discussed briefly in my Scarlet Nexus write-up, and do not really intend to go back. Currently, I have a full-time job where I listen to people discuss their traumas in some of the most emotionally vulnerable ways, so experiencing stories with such a high amount of uncomfortability as a means to have fun is basically the dumbest thing I could possibly do. I think one of the reasons NieR: Automata struck a chord with me was due to that hint of hope and comfort the ending gave. Ending E of NieR: Automata is the single most impactful piece of game design in the medium to me, and perhaps its unfair to wish its prequel had a similar way to engage the player. NieR Replicant ver. 1.22474487139 will always be a brilliant game held back by some pretty wild flaws, and this really shouldnt have been an issue, given there were eleven years to address them.

NieR Replicant ver. 1.22474487139 Score: 3/6

19. Scarlet Nexus

It has been a significant amount of time since I kicked my anime addiction. Looking at MyAnimeList.net, it appears I stopped religiously watching anime at some point in the summer of 2018, quitting part-way through shows such as 'Attack on Titan Season 3', 'Grand Blue', and 'Chios School Road'. My official last update was on January 26, 2020 with my viewing of episode 21 of 'Neon Genesis Evangelion'. I am not sure why I stopped watching 'Neon Genesis Evangelion', as it was pretty good. I am certain, however, that anime has a pretty strong correlation with my depression. Something about the common tropes of writing combined with more mature themes, while also presenting as literal cartoons for babies, gives me an obscure form of escapism which no other hobby of mine has ever managed. When I was a high schooler, I yearned for life to be like it was inJapanese anime. When I was an adult, I yearned for the time in my life where my greatest issue was having a life unlike a Japanese anime. Anime became a coping mechanism for me, and one which was profoundly unhealthy, as I would dissociate from my reality the more consumed I became with the medium. There was a point where I literally began writing about anime, and when I begin to write about something, it has become an obsession.

I do not like anime for this reason. I will actively insult anime whenever possible almost solely to remind myself it no longer consumes me. Sometimes I think I play too many video games, and I think that is certainly true, but when I notice how I engage with my gaming hobby versus how I engaged with my anime addiction, I realize just how much better I am doing now. Were talking some wild levels of cringe while on anime. Completely delusional thinking and feeling towards others to an extent where I think I may have implanted false memories into my head. I would think myself to be schizophrenic if I werent able to correlate these mental issues to the one thing I was doing then that I am not doing now with a relatively stable and healthy brain.

I bring all this up to note that I have yet to fully kick this obsession with Japanese cartoons, evident by the fact that I saw 'Scarlet Nexus' and thought it would be fun. And it was! But the anime aesthetic has basically nothing to do with the amount of enjoyment I received from it. It actually hurts it quite a bit. 'Scarlet Nexus' is a game that prides itself far more on its writing than it actually should. The plot and setting are trite nonsense, with abnormal amounts of text and voiced dialogue put forth all for the purpose of saying nothing and doing as little as possible to differentiate itself from a shounen manga which would never receive an anime adaptation. Its possible to argue that the bar is just so low for shonen-style anime games to tell compelling stories, but even if you choose to ignore the popular 'Persona' games, efforts from the likes of 'Tales of Berseria' and 'NieR: Automata' are choosing to push video game storytelling in directions it hasnt yet gone while maintaining those tropier elements found in a standard shounen anime. 'Scarlet Nexus' chooses to bore you with an absolutely absurd amount of plot for a world which changes so little and characters sorely lacking in even the slightest bit of dynamism.

Fortunately, 'Scarlet Nexus' also contains a solid combat experience capable of lasting through its campaign, waiting until the very end to start getting stale. You have various characters in your party, each with a specific power, and the fun part is finding out ways to utilize these powers in unison to create a combat system which, while fairly shallow overall, is a blast to toy around with. They could have made this restrictive by limiting your total powers available to who you have in your party, but they dont. It gets especially neat in the last chunk of the game where you are given access to the powers of every playable character, allowing the experimentation to grow in ways the characters themselves never could. I will probably never be able to watch anime again, but if 'Scarlet Nexus' is any indication of the quality of writing present within the industry right now (Im aware its not), then I appear to be making good decisions.

Scarlet Nexus Score: 3/6

20. Pac-Man 99

If I were a child in 1980, I feel confident that I would not have grown up to become a morbidly obese manchild who spends most of his time consumed in the virtual hellscape of many video games, most of which are ultimately unfulfilling experiences. To be fair, I also did not become such a thing having been born when I was, as my obesity is not of the morbid variety. But if the best video game available to my child brain was 'Pac-Man' and not 'Super Mario Bros. 3', I would have likely done something productive, like marketing. Instead, I am a gamer, and my life is actually fun. To suggest 'Pac-Man' is the business major equivalent of degree-seeking college undergraduates is a bit harsh, as 'Pac-Man' is morally neutral rather than an agent of chaos and famine, but I stand by this comparison because I was not academically skilled enough to finish my business degree before switching to the arts. Yes, I am aware this tangent has no conceivable structure, but I want to address my primary concern with my life in relation to my primary concern with 'Pac-Man' in that they are only disappointing in relation to others, and that disappointment is frugal at best.

'Pac-Man' is a game about a gluttonous ball-man who eats smaller balls while being chased by ghosts. Sometimes you can eat a larger ball and you will then become a violent ball capable of devouring the very ghosts which haunt you. This simple set of mechanics is the driving force behind 'Pac-Man' and it is extremely fun to play for about 15 minutes. After 15 minutes have passed, you will likely not enjoy playing 'Pac-Man' for at least a few hours, and then go back to finding it incredibly fun for 15 more minutes on your next play session. 'Pac-Man' is potentially the most arcade game arcade game ever designed.

Fast-forward to the year 2021 and the gameplay loop of 'Pac-Man' is no longer sustainable despite the strength of branding present. It has become crucial for 'Pac-Man' to twist itself into fresh experiences. The developers are fortunately intelligent enough to understand this need, while also finding ways to maintain that iconic gameplay structure present in the original 'Pac-Man'. Enter 'Pac-Man 99', which is 'Pac-Man' except it is a battle royale. The end results are a bit strange, but ultimately engaging enough to feed the same 15-minute engagement loop the original 'Pac-Man' so perfectly captured over forty years prior. 'Pac-Man 99' is a messy, confusing battle royale that doesnt entirely make sense, similar to 'Tetris 99', the game which almost certainly preceded this one. Generally speaking, you dont have to understand the total depth of 'Pac-Man' to be good at 'Pac-Man 99', you just probably wont win much. To this day, I have not won a single game of 'Pac-Man 99', yet I am never bothered by this. I have numerous wins in 'Tetris 99' which is the only retro video game I have any semblance of skill with, so I am not ashamed about being bad at 'Pac-Man'. Fuck you.

Pac-Man 99 Score: 3/6

21. Persona 5 Strikers

Despite my prior statements in my 'Everhood' write-up concerning my lack of willingness to edit my work due to the extreme lengths I would go to in order to overcorrect myself, this is my second attempt at a write-up for 'Persona 5 Strikers' My first write-up spent a large amount of time building up to a statement I felt needed to be made about 'Persona 5 Strikers', concerning the fact that is a sequel which did not need to be made, and that its existence is a frustratingly poor example of the storytelling of the 'Persona' games and of the addictively fun combat of the 'Warriors' games. I realized, after spending a page and a half getting to this point, I could just say it in a single sentence and not waste everyones time as I told them they were bad people for enjoying a bad video game. Its okay. I have consistently been playing 'Overwatch' since 2016. I understand what its like to enjoy a bad video game.

It should be noted, however, that my statements of 'Persona 5 Strikers' being a bad video game arent entirely fair. For starters, every video game is bad because playing video games is inherently a poor character trait for one to have. Moving aside from that, I essentially went to the most absurd measures to ensure my time with 'Persona 5 Strikers' was a bad experience. I had just completed 'Hyrule Warriors: Age of Calamity', another grindy musou experience, when my brother asked if I would like to borrow his copy of 'Persona 5 Strikers' on the Nintendo Switch. I said, 'Yes, brother. I will borrow this from you and play it,' verbatim. 'Persona 5 Strikers' runs like ASS on the Nintendo Switch. Not the good ass some of my fellow gamer boys would like it to be, but the bony ass of a skeleton or something, I dont quite have a metaphor to utilize without inappropriately objectifying some aspect of a human being. Similarly, when I play video games on my Nintendo Switch, 95-100 percent of my gameplay is spent on handheld by choice. I dont like playing video games on a television or monitor because I am odd, so I will use handheld options as much as possible. 'Persona 5 Strikers' on the NIntendo Switch runs like ASS while undocked.

All this being said, can I truly blame 'Persona 5 Strikers' for being a bad game? 'Persona 5 Strikers' was a bad game in part due to me being a bad gamer. Would it have still been bad if I played it in October of 2021 on my PlayStation 5? Possibly, though the chances would be low. What is a factual assessment to make is that 'Persona 5 Strikers' would have been better as a turn-based role-playing game. Even barring the removal of distinct 'Persona' elements such as social links and social stats, 'Persona 5 Strikers' effort to adapt the brilliant Press Turn combat system, present in most modern 'Shin Megami Tensei' works, into a musou action system, was a poor decision for sure. I understand it may be controversial to say this, but musou games can be very tedious. I played 'Hyrule Warriors: Age of Calamity' for forty hours, then immediately played 'Persona 5 Strikers' for another forty hours. I do not want to play another musou game. However, at the time of this writing, I am currently playing 'Shin Megami Tensei V' and it is fantastic.

Story-wise, 'Persona 5 Strikers' is serviceable, but lame. It is no better than a high-effort fanfiction from a college freshman with above average intelligence and at least moderate depressive symptoms. I dont actually remember most of what occured in 'Persona 5 Strikers' as it did not do anything actually compelling with the plot and themes laid forward in 'Persona 5'. 'Persona 5 Strikers' is a sequel to 'Persona 5' which has worse gameplay, worse story, less-engaging mechanics, and was bad enough to be available on the Nintendo Switch. Utterly despicable.

Persona 5 Strikers Score: 2/6

22. Turnip Boy Commits Tax Evasion

When I was in middle school, my language arts teacher dedicated a chunky portion of time within the curriculum on creating titles for our future works. She termed this, Jazzy Titles and that phrase haunts me to this day. What does the word jazzy even mean? Is it in reference to the musical properties of jazz? Is it related to the rhythmic styles of swing? How can you classify something as jazzy if one isnt performing music or motion?

As a large and old man at this point, I think I have finally discovered the true meaning of that adjective through experiencing Turnip Boy Commits Tax Evasion. Once I saw this title, the phrase Jazzy Title submerged from my subconscious and began to dominate my casual stream of thought. The moment I read Turnip Boy Commits Tax Evasion in the Messenger chat my brother sent to me, offering me a free Steam code to play it with, I was enamored with it. Jazz comes in many forms, but it is at its most intriguing when you seek out avant-garde or free improvisation. It turns the already complex musical landscapes of jazz into something far more unorthodox and layered, Something far more bizarre, yet still holding onto the regality one would associate with smoother jazz. It can even, at times, be somewhat sinister. If you have ever listened to Mingus The Black Saint and the Sinner Lady, you will likely walk away thinking Wow, that was total shit.'' or Wow, that was the greatest thing Ive ever listened to. Jazz has significant power to compel or destroy ones psyche.

It was that curiosity which drove me to try out Turnip Boy Commits Tax Evasion. Beyond a video game, it is a relentlessly compelling string of words which necessitate further understanding to become fully immersed in whatever expression of character Turnip Boy Commits Tax Evasion is intending to elicit. It is a game which I feel immediately drawn into playing solely on the basis of the quality of its description.

The actual video game is extremely boring. It plays like the most mindless of top-down adventure games with extremely linear dungeons and an absolutely tiny overworld. Its core appeal appears to be its writing, which reeks of current meme humor. I imagine the games writing will be outdated within the next two years. I laughed out loud exactly one time. There is some fun in constantly tearing up documents from both governmental and private industries seeking to capitalize upon you, but it only reminds me of the futility of anarchism in the current hellscape we call The United States of America. I can re-use my own jokes from last year because Turnip Boy Commits Tax Evasion attempted to make me laugh by utilizing a years-old copypasta with no legitimate context. I realized after ninety minutes of play, I was already approaching the ending, and that continued play would be a complete waste of everyones time. I also just now Googled the term Jazzy and found it has an official definition of, bright, colorful, and showy. I have wasted my entire life pondering these words, when I could have just used a dictionary.

Turnip Boy Commits Tax Evasion Score: 2/6

That's it tonight, go to bed.