Current Events > Louis C.K. and the Men Who Keep Getting What They Want.

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Lebronwon
08/28/18 1:53:03 PM
#1:


https://www.theatlantic.com/entertainment/archive/2018/08/louis-ck-aziz-ansari-and-the-ongoing-power-of-dudedesire/568729/

The #MeToo comeback storya common one these days, and one that will likely become increasingly common as we approach the one-year anniversary of the Times and The New Yorkers initial reporting on Harvey Weinsteinis often discussed in terms of moral extremes. On the one hand, theres the small and specific: the comeback, staged precisely at the whim and/or the strategy of the famous person in question, typically with the help of PR and legal teams expert in trial ballooning and public apologizing that use this combined expertise to plan the timing and messaging of the comeback. And on the other hand: Theres the suggestion, commonly invoked as a broad alternative to this precision, that if the comeback doesnt happen in this precise way, at this precise moment, the famous person in question will be Banished Forever From Good Society. There cant be a permanent life sentence on someone who does something wrong, Noam Dworman, the owner of the Comedy Cellar, told the Times. (Dworman invoked the prison metaphor even as he noted that he had not made the decision to host C.K. He had been at home, asleep, while C.K. had been on the Cellar stage, Dworman said; he learned of C.K.s appearance only after club staff texted him about it.)

Famous man, straw man: It is an intoxicating combination. It is also a misleading one. Of course #MeToo comebacks are possible in the middle ground; of course notions of restorative justicewhich are nuanced, and holistically empathetic, and focus their energies on victims as well as perpetratorsshould be part of the calculus when it comes to conversations about forgiveness and responsibility and the long arc of a professional and moral career. Whats less tenable, though, is the widespread notion that the comebacks should be treated as all-or-nothing, black-or-white events. Whats less palatable is the insistent lack of nuance that tends to characterize discussions about comebacks, be it C.K.s or Ansaris or Lauers or Charlie Roses or Mario Batalis or Garrison Keillors. Make his return entirely on his own termsin a surprise set at the Comedy Cellar, in a series of shows in Milwaukeeor be banished; come back in precisely the way he wants, or be canceled. Those, it is so often assumed, are the options.

Ansari, for his part, banned phones at his showa common practice in comedy performances, but one that had the effect not only of allowing an engaged audience unencumbered by social media, as Vulture put it, but also of precluding widespread public discussion, or criticism, of his performance by that audience. The effect, once again? A comeback that plays out on Ansaris terms. Ansaris set, like C.K.s, seems also to have ultimately elephant-roomed the allegations against him into slow, willful oblivion: His material in this post-#MeToo context, Vulture reports, was more or less what it looked like before.

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Muffinz0rz
08/28/18 1:54:34 PM
#2:


I can't locate the thesis of this article
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Zero_Destroyer
08/28/18 1:58:44 PM
#3:


the article lumps aziz and lauer together

instant nope
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Lebronwon
08/28/18 2:05:36 PM
#4:


Muffinz0rz posted...
I can't locate the thesis of this article


The #MeToo comebacks are coming. And theyre revolving, once again, around the desires of those who needed to negotiate the returns in the first place.
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#5
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mcpwnia
08/28/18 2:25:10 PM
#6:


shockthemonkey posted...
I dont understand why Aziz is put in the same breath as people who have actually done things wrong.

same
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Blue_Inigo
08/28/18 2:25:43 PM
#7:


Aziz didnt do shit
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"This is your last dance."
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#8
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