LogFAQs > #969417412

That's fine! I don't expect much commentary, I'm just happy to have gotten nominations at all! (Though feel free to jump in whenever you do have something you wish to say).

REALITY TV

Alright, so this is still stuck in my head and I'll admit that I kinda like it; I wouldn't bother altering the past if I didn't at least kinda like it, but I'm still not sold on the choice of lyrics... so I'm raising the score to 59.00 & will revisit it when we get to that point on the list. This causes the following changes:

Murphiroth goes back up to 28 songs remaining.

The song formerly ranked above it drop one placement:

#774: Prince of Darkness
#773: Tricky Child
#772 Genkai numa
#771: Kelling
#770: Choferito
#769: Electric Returner
#768: Sentimental Heroine
#767: Birds of Fire
#766: Let It Go

Which brings us to the next song to fall, our new #765th Place Track:

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#765: Rob Hubbard - Sanxion Loader / Thalamusik (5:34):
https://www.youtube.com/watch?v=Uy6nEHz_sCc

Nominator: Sergio [10 Remaining]

Initial Score: 54.32
Revised Score: 44.93
Final Score: 44.93

(First Reaction: I like the soundfont, song itself is fine.)

I enjoy the fade-out at the end of the song. It uses the deep "bwoom" sound that I love and the beeping slowly fading out feels a lot like dying, so it's a fun effect. The rest of the song isn't bad, but I haven't been in a chiptune mood the past few weeks and Rob Hubbard's style of music isn't usually my preferred type of chiptune--I'll talk about that more on a different Rob Hubbard track, but the short version is that I find most of his music too clean & light when I prefer my chiptunes dark & crunchy. (At least, I understand what I meant by that.)

[Final Thoughts: Too high-pitched for the beeps. I like my computerized beeps low and infused with static. I can always use more chiptunes, this just isn't quite the style of chiptune that I'm often drawn to. The outro is still great though--hits that low tone that I love and slowly flatlining is a nifty effect. I just wish the song leaned more into the tragic darkly dying aesthetic for the rest of its runtime, instead of hiding it in a short bit at the very end.]

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