LogFAQs > #951748173

Revisiting IZ*ONE. I couldn't enjoy them much due to the push for higher pitches as with many female Asian pop groups.

"Panorama" and "D-D-Dance" were nice shifts in sound. Will be looking out for Yena, who incidentally had some of her best moments on those tracks. Everglow might be too much of a crowd as Onda already never gets lines, but if writers get it together and decide to stretch songs as well (all of them feel a bit short), Yena can add so much to that group as a higher pitch and rap lines. Her dancing is already incredible. The versatility in her looks is also noteworthy.

That's not to say the rest of the members don't deserve recognition. That's sorta my peeve with larger groups. It's hard to give everyone the proper spotlight. But I do see why this group is gonna be missed. They seem to hold their own live, and I guess the nature of the Produce talent does this bringing together the talent but understandably the disbandment as well since there's a lot of moving parts with each member's respective labels and contracts.

Side note, I know it's totally not happening, but would've been cool if Chaeyeon could find her way back to JYP and join Itzy. She looks so much like her sister.

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Competing every night, both ends, shoot inside/outside, fast break, transition, Monta Ellis have it all