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Topic	Wifebolo plays House in Fata Morgana [progressive spoilers]
Llarian 04/26/21 11:33:44 PM #103:	Prologue The Maid comes to wake Morgana. Morgana had told the Maid that they are the same entity. Maid offers her tea, and she refuses. The Maid asks Morgana to tell her a story, the one about Michel and Giselle. Morgana grumbles that she's getting tired of telling that one after so many times, but all right. Morgana asks the Maid if she thinks Giselle and Michel should be reunited? The Maid thinks Giselle would be happiest in that case, but notes that Giselle takes the name Michelle when she is reborn, and Michel himself has yet to show himself. Perhaps Giselle would be happier moving on from him? The Maid wishes she could entertain Giselle in the mansion, make her feel at home. Morgana is secretly gleeful at the Maid's inaccuracies. 'What would you do if YOU were Giselle?' Morgana asks the Maid. The Maid says sure, what's a few hundred years. She is mentally divorced from Giselle's painful reality at this point. Morgana claims her response not interesting enough, and refuses to retell the story. Morgana goes out to the garden and speaks with the shadow of Mell, who begs her to release him, apologizes, tries to reach Morgana's heart, but she won't have it. Morgana stands at the top of the cellar stairs and all she can hear is beastly growls from the Swordsman. Maybe he's yelling in Japanese. Who knows. Morgana doesn't wanna bother with him today. The Man in the Painting calls out to her, hoping for a little slice of conversation, and she ignores him. How rude! Jacopo's shadow stands there silently. Morgana compliments him on finding a man's shape, but ridicules his inability to speak or move. He manages to say her name, but she swiftly departs. The Maid is found staring out the window - a shadow with white hair is approaching the house. Morgana starts freaking internally because the mansion isn't in the physical realm right now, so how could they have visitors...? The Maid starts buzzing about, making preparations for 'her'. The Maid starts calling the shadow her 'Master', even though she's never referred to her that way. [And then Michel comes in and everything is terrible forever - it is a prologue, after all.] --- Whenever you are about to find fault with someone, ask yourself...: What fault of mine most nearly resembles the one I am about to criticize? -Marcus Aurelius <cite>Llarian posted [p:953268967] in Wifebolo p... [t:79298631]...</cite> <quote>Prologue The Maid comes to wake Morgana. Morgana had told the Maid that they are the same entity. Maid offers her tea, and she refuses. The Maid asks Morgana to tell her a story, the one about Michel and Giselle. Morgana grumbles that she's getting tired of telling that one after so many times, but all right. Morgana asks the Maid if she thinks Giselle and Michel should be reunited? The Maid thinks Giselle would be happiest in that case, but notes that Giselle takes the name Michelle when she is reborn, and Michel himself has yet to show himself. Perhaps Giselle would be happier moving on from him? The Maid wishes she could entertain Giselle in the mansion, make her feel at home. Morgana is secretly gleeful at the Maid's inaccuracies. 'What would you do if YOU were Giselle?' Morgana asks the Maid. The Maid says sure, what's a few hundred years. She is mentally divorced from Giselle's painful reality at this point. Morgana claims her response not interesting enough, and refuses to retell the story. Morgana goes out to the garden and speaks with the shadow of Mell, who begs her to release him, apologizes, tries to reach Morgana's heart, but she won't have it. Morgana stands at the top of the cellar stairs and all she can hear is beastly growls from the Swordsman. Maybe he's yelling in Japanese. Who knows. Morgana doesn't wanna bother with him today. The Man in the Painting calls out to her, hoping for a little slice of conversation, and she ignores him. How rude! Jacopo's shadow stands there silently. Morgana compliments him on finding a man's shape, but ridicules his inability to speak or move. He manages to say her name, but she swiftly departs. The Maid is found staring out the window - a shadow with white hair is approaching the house. Morgana starts freaking internally because the mansion isn't in the physical realm right now, so how could they have visitors...? The Maid starts buzzing about, making preparations for 'her'. The Maid starts calling the shadow her 'Master', even though she's never referred to her that way. [And then Michel comes in and everything is terrible forever - it is a prologue, after all.] --- Whenever you are about to find fault with someone, ask yourself...: What fault of mine most nearly resembles the one I am about to criticize? -Marcus Aurelius</quote> ... Copied to Clipboard!
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