LogFAQs > #941963673

Okay, eff it, I gotta know what the damn switch does, don't disappoint me BCS!

Chuck plays the piano. You know who else practiced in the arts? Hitler, that's who. He couldn't seem to get it right either. Really, it's weird watching Chuck and Howard interact now that the show's done flipped the script on us.

Been waiting for Mike and this doofus to get together about the robbery. Since Mike's got ties to doofus, he decides it is in his best interests to help him locate his cards. Considering the timing of the robbery, he's almost certainly figured it all out.

Yup...tracks Nacho to his work and provides a carrot and stick. Classic Mike. All seems to flow relatively smoothly.

Ahahah, Count Dracula's coming into the office for a visit, his herald Kim making the rounds with the sacrificial electronics bucket. Curious that Saul just happens to be there too. Will Chuck see Saul in a new light, or will his presence intimidate and shut Saul down?

Doesn't seem to have much of an effect, at least not one Kim's confidence couldn't ease.

On the Mike side of the story....'Art'. Hah. "Squat Cobbler" Saul seems to have a fetish for rumps.

"There is, however, one tiny hanging chad" Very topical for the time period this is set in. "You're gonna have to make a video." Lawl.

And he does, as he tells the tale over a pie with Kim. Such disapproval from her.

And I looked the damn switch thing up from last episode, apparently, at least through the end of this season, there is no explanation. It was probably just the show being metaphorical and juxtaposing it with the emergency exit door in the beginning shot.


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There is no shame in not knowing; the shame lies in not finding out