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TopicWifebolo plays House in Fata Morgana [progressive spoilers]
Llarian
04/19/21 8:39:41 AM
#80:


They head down a corridor and Michel and Georges are talking and joking and... Michel finally laughs. The three approach the door and Morgana expresses the same concerns. Michel says, 'Let us press onward, not fearing a temporary end'. The outdoors is not light, but darkness and the scent of blood. Didier appears once more as the knight, ready to exterminate us. Georges jokes around this whole time, pointing out that this probably wasn't what Michel had in mind for the happy family reunion. Georges does stop to apologize to Didier, though - for abandoning his share of the work, and in the end, blaming him for killing Michel. Michel cries out Didier's name. Neither brother is getting through to Didier. The painting jumps into the air as Didier swings his mighty sword. Georges asks Michel to free Didier.

Michel cries out Didier's name as loud as possible - this knocks his sword off course from Michel's heart to Michel's gut. Somehow, Michel gets through to him. Didier can't stand what he's done, he begs for judgement, for punishment, from Michel. He don't know him very well, do he. The two brothers wish to be brothers again in their next life. Didier fades away, but not before Michel can embrace him once more.

Morgana and Michel make it outside, and it's nothing but blinding white. Everything is disappearing. Morgana reminds him that if he's injured or destroyed, he could disappear forever. If he loses much more blood, that may be his fate here. Morgana asks if Michel would want a fully male body, and to see Giselle again. He agrees on both counts. If he had to choose, it's Giselle. Morgana says she'll wish for something, she won't tell us, and she's not even sure if it will work, her powers not being what they were.

Morgana searches for parting words. She asks Michel, if they were to meet again, would he be her friend? Michel agrees to it. Morgana says with honesty that she's glad to have had Michel in her life, and bids him farewell. Michel is left alone. He talks to Giselle, but she's not there. He waits for her, telling her of the successes they've had. Michel's body begins to disappear. More and more of him begins to disappear, but he steadfastly waits for Giselle.

As he seems to disappear, Giselle appears, crying and in a beautiful dress. She says a ray of light reached the deepest, darkest place of where she was. She believes Michel is still here, even if she can't see him. She'll wait for him.

The characters' names and their ages of death scroll past on a black screen.

We show up in a more modern-looking classroom? A flaxen-haired boy mentions he's been noticing a flaxen-haired girl out the window. The flaxen-haired girl is talking to her friends about going out for ice cream, and how she's caught the eye of a flaxen-haired boy who seems like a prince. Her friends tease her.

A boss compliments a black-haired engineer on his great work while in France. The black-haired man thinks he sees someone he recognizes out of the corner of his eye. A black-haired woman is begging her blonde friend to take her to the art museum while they're in France.

A wavy-haired man is keeping an eye on the stock market via a newspaper. He runs into a woman who says she recognizes him. The wavy-haired man is skeptical.

There are memories ingrained in my soul. We met and lost someone dear to us, and he almost lost his soul trying to save us. We are waiting for him, making our way to where the mansion once stood, red rose in hand. She says she'll wait as long as it takes.

Credits roll. That was quite a game.

Don't worry, you don't have to wait any longer, Giselle. I'm here for you. We get to see the moment Giselle turns around and then a beautiful illustration of her reuniting with Michel. Her smile is the light of his life. Michel wants to spend his days with her, with her smile always at his side, and nothing to get in their way.

Yessss. Ending 8 - Fata Morgana. I've finished it - let's discuss!

---
Whenever you are about to find fault with someone, ask yourself...: What fault of mine most nearly resembles the one I am about to criticize?
-Marcus Aurelius
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