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TopicWifebolo plays House in Fata Morgana [progressive spoilers]
Llarian
03/17/21 11:42:37 PM
#30:


We acknowledge that these scenes are our memories, not just a retelling of someone else's story. Michel urges us to return to them, to see what comes next. He's pretty sure it's going to be no worse than the present state of affairs. And if this game has taught me anything... he's about to be so, so wrong.

Giselle is so thoughtful. She feels pushy but, my heart... This kind of effort is what I try to do all the time. I try to make things better for my sweetheart. I don't often push outside of the comfort zone, instead I try my best to make life as easy as I can. Idk, it's not really sustainable, but it's where I feel most at home emotionally? I think the important thing is to communicate, instead of making up problems that you can solve in your own mind.

Goodness, when she calls him Hair Monster, I kinda lost it.

Love the sheer variety of facial expressions they've given Giselle. She expresses all these different emotions and it's so fun.

Oh gross, he boiled veggies. Noooope.

We get an accidental hand on chest, and then a dumb dismissal of the situation from Michel brings him some consequences XD

They play several rounds of chess [he beats her!], get into some arm wrestling [she beat him!], and get to know each other better. The year progresses, they grow closer as friends, they gather around the fireplace in the winter and read together. Michel offers to her the idea that if he were to return to his family, that they could live in the city as master and servant, away from the house with its horrible history. Giselle agrees.

Giselle finds a rose blooming in the garden at night and brings Michel out to look at it. He impulsively picks it, tucking it behind her ear, then makes a weak excuse of wanting to draw the rose and that Giselle would make a better background for it than a simple vase.

ARTISTS ARE CREEPERS Y'ALL

...she said, as an art major who is well aware of what goes into drawing a PERSON and how it's WAY MORE DIFFICULT than drawing a flower. Goodness, Michel, you're so bad at this XD

Giselle lets it slip that she'd be happy with anything drawn by the man she loves. Didn't realize she said that. There's romantic tension, they grow closer and closer and lock eyes and then...

A throbbing heartbeat. Giselle's mind returns to that awful room with Michel's father, and being made to go against her will, again and again.

She shoves Michel out of the way, and when the dust settles, he bids her goodnight without any further discussion. She realizes what happened, but can't really do anything about it.

See you Friday!


---
Whenever you are about to find fault with someone, ask yourself...: What fault of mine most nearly resembles the one I am about to criticize?
-Marcus Aurelius
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