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TopicWhat is the worst Star Wars quote of all time?
LethalAffinity
01/01/20 4:42:59 AM
#58:


l--l posted...
nah...it was bad. Mostly Anakin

don't tell me those ridiculous broadcasters and 'my bad' goofball was inspired by that


https://www.theguardian.com/culture/2002/may/16/artsfeatures.starwars

Such was the fate of The Phantom Menace and, although this is a better film, it will be received by many Star Wars purists as laughable. There is one scene in which Anakin Skywalker thrashes camply about in his sleep, crying "No!" at his nightmares. It is such a terrible cliche that one assumes it was put in for parodic value; it certainly had the audience in hysterics when I saw it. Lucas doesn't smile. "It's not deliberately camp. I made the film in a 1930s style. It's based on a Saturday matinee serial from the 1930s, so the acting style is very 30s, very theatrical, very old-fashioned. Method acting came in in the 1950s and is very predominant today. I prefer to use the old style. People take it different ways, depending on their sophistication."

This hangs in the air for a few moments. The universe that Lucas created for Star Wars is vastly sophisticated, but the characters are for the most part folksy vehicles for the delivery of quaint moral lessons. This is key to the films' charm - the marriage of futuristic landscapes with old-fashioned values. It renders the dialogue starchy and ludicrous, and there seems no other way to receive it. Harrison Ford famously turned to Lucas after reading his Star Wars part and said, "George, you can type this shit, but you sure can't say it."

Lucas says he never claimed to be good at writing dialogue. "I've always been a follower of silent movies. I see film as a visual medium with a musical accompaniment, and dialogue is a raft that goes on with it. I create films that way - very visually - and the dialogue's not what's important. I'm one of those people who says, yes, cinema died when they invented sound. The talking-head era of movies is interesting and good, but I'd just like to go to the purer form.

"The problem is, the theatre aspect of it has sort of taken over, and the institutions that comment on film are very literary. They aren't cinematic; you don't have a lot of cinematic people talking about cinema, because visual people don't use words, they use pictures."

We seem to have swung round to blaming the unsophisticated critic again. There is a pause. "There's a little difficulty there, which I understand," he says indulgently, although his tone suggests that for "little difficulty" you should read "pig ignorance". "Cinema has only been around of 100 years or so - not long enough for people to really understand it."


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